Released in 1973, Nicolas Roeg’s Don’t Look Now is regularly acclaimed as a high point of British cinema, with its macabre plotline, atmospheric setting and brilliantly original cinematography and ed…
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Nicolas Roeg
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Venetian Vespers by John Banville review – a haunting honeymoon ○
found
a story from The Guardian ⚠️ › International
- Venetian ■■■
- John Banville ■■■
- Venice ■■■
- Fiction ■■
- Othello ■■
- Desdemona ■■
- Daphne ■■
- Maurier ■■
- Don ■■■
- Nicolas Roeg ■■
- Mary ■■
- Colin ■■
- Comfort ■■
- Ian McEwan ■■
- Thomas ■■
- Death ■■■
- Von ■■
- Von Aschenbach ■■
- Evelyn ■■■
- England ■■■■
- American ■■■■
- Laura Rensselaer ■■
- Laura ■■
- Willard Rensselaer ■■
- Palazzo Dioscuri ■■
- St Mark ■■
- Dioscuri ■■
- Twins ■■
- Pollux ■■
This brooding tale of an Englishman’s downfall in fin-de-siècle Venice is memorably eerie – but it’s hard to care about such a pompous protagonist
Many years ago, a sober-minded friend warned me off g…
8 months ago
How Hideo Kojima created yet another weird, wonderful world in Death Stranding 2 ○
In Kojima’s latest epic, the Australian outback becomes a shifting, spectral landscape that you can get lost in
As a teenager in the late 1980s, I became obsessed with Australian new wave cinema, than…
9 months ago
Final Destination: Bloodlines review – death is back and more fun than ever ○
found
a story from The Guardian ⚠️ › International
The jubilantly gory horror franchise returns with a hugely entertaining sixth installment which sets up an entire family tree for the slaughter
Final Destination, the giddy and splatterific franchise …
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